The place I work in, The worker by my side, The little town or city Where … With Eugene Jarecki, David Simon, Shanequa Benitez, William Julius Wilson. It tells the story to date of the film’s campaign to stop the War on Drugs. See it here: http://www.britdocimpactaward.org/files/thehouseilivein.pdf © 2021 International Documentary Association. Its cost so far is more than $1 trillion dollars. Film Paper Film Name is “The House I Live in" War on Drug Introduction and Thesis statement Deviance and conformity theories of sociology are essential aspects that depict how social beings frequently conform or deviate from the expected norms due to social advancements and status as evident in the film in “the House I Live”. The director behind a cynical investigation into the American war industry (Why We Fight, 05) and two biographies of divisive American political figures (The Trials of Henry Kissinger, 02, and Reagan, 11) turns to race, poverty, and drug laws in his latest documentary. Larry vents about how funding for skills training in prisons too often gets diverted by politicians who maintain their power through War on Drugs posturing. These problems persist in his latest project (which, like Why We Fight, won the Grand Jury Prize at Sundance), but they are less grating in the context of an impassioned social commentary. You'll inevitably have to face this question when working on 'The House I Live In' essay assignment. That was how she became part of the Jarecki family. No dry exegeses, this story is full of unexpected twists and turns, and compelling accounts from police officers, prison authorities, Federal judges, journalists, politicians, inmates and families trying to deal with drug users in their own homes. Fighting them is good. In the process the police may confiscate any drugs or large sums of cash they find. So the balancing act, ethically, of portraying people candidly and rigorously while preserving their dignity before the camera is a delicate one.". One of the key issues in the film is the contention by several academics and journalists that drug policy is driven by economics. Documentary this past weekend at the Sundance Film Festival in Park City, Utah, the largest independent film showcase in the country. His insistence on analyzing the drug war as a symptom of a global human condition—a lecture-plus-montage explicates the incarceration of drug dealers as a social need to fight a constructed enemy “Other”—finally crosses the line from rightfully concerned into righteous and annoying. Financial analysis of The House I Live In (2012) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. The House I Live In depicts a situation in which, to quote one talking head, “everybody involved hates what’s going on.” In a typically ambitious project, Jarecki sets out to cover a huge amount of political, historical, and even personal ground. "The House I Live In" is a musical ode to a discrimination-free USA, co-written in 1943 by Abel Meeropol. The House I Live In The House I Live In – review 4 / 5 stars 4 out of 5 stars. Documentaries Hit the Campaign Trail This Election Year, Agit-Doc: How 'Uncovered' Became an Activist Tool. Jarecki lays out complex issues in accessible terms, delineating a clear analysis of what has happened over four decades-- and in the process telling the stories of individuals from all over the United States. When it comes to editing, Jarecki sticks to his overall objective, even when some footage might be particularly powerful. The House I Live In - Film Analysis Film Analysis. The House I Live In paints a picture of America that leaves a bad taste in your mouth. Jarecki has a propensity for preachiness, and that, along with a slightly overambitious and disorganized approach, was the biggest shortcoming of Why We Fight. When Director Eugene Jarecki first embarked on filming, he asked Americans what the War on Drugs meant to them. ...Mortgage Options Analysis Abstract You decided to buy a house in Amherst valued at $250,000 and need to borrow the entire amount to finance your house. 5 stars, out of 5. Meeropol had liberal views of America and mixed feelings about the glories of Film Analysis Holly Cox Adam Deutsch English 225: Introduction to Film August 30, 2010 Film Analysis... Ethos, Pathos, And Logos. These thoughts occurred as I was watching "The House I Live In," the documentary by Eugene Jarecki about our War on Drugs. The House I Live In Movie Analysis. During the presentation, Nixon made it clear that the United States was at war with this idea of drug abuse. Police officers in the film reveal that colleagues with multiple arrests per week or month are able to generate significant overtime pay, while those in homicide or fraud don't get those perks. Sep 7, 2014. Its effect on American drug consumption has been negligible. Depending on their social class and where they live, students may respond in contrasting ways to the question about prevalence of drugs in their community and whether they are a problem. Majo While his white, Jewish family moved up the economic ladder, Nannie lost a son to drugs and had to migrate north to find work. In the hall we see another staircase which leads from the hall to … He has no choice but to give life sentences to defendants arrested for possession of a small amount of drugs. The Grand Jury Prize winner for documentary at the 2012 Sundance Film Festival, Eugene Jarecki‘s look at American drug policy—The House I Live In—began with a desire to reacquaint himself with his family’s old housekeeper Nannie Jeter.A black woman who was a part of the great migration north to escape Jim Crow Laws in the sixties, her taking the job with the Jareckis changed her life. What makes The House I Live In so potent is the filmmaker's sincerity. The house I live in seems so appropriate for this moment. Jarecki’s tendency to sermonize is especially disappointing because what really gives the film its power, apart from its disturbing statistics, are the moments of basic empathy: relatives of minimum-sentencing convicts bearing baby photographs, weary cops cracking half-hearted jokes at crime scenes, and, in one especially poignant interview, a former drug dealer whose son is now in jail. Dissecting America’s history of drug use and subsequent legislation, THE HOUSE I LIVE IN reveals that the U.S. is losing miserably at the War on Drugs, and that the most unequipped Americans are suffering the greatest blow. The film opens October 5 in New York City, and will tour to cities across America through the fall. Opening with his personal account of his family background and that of Nannie Jeter, his African-American childhood caretaker, Jarecki counterpoints the experience of the two families throughout the film. We also hear from US District Court Judge Mark Bennett regarding the disastrous results of the extreme sentencing laws. The porch is below ground level because there is a long staircase leading to the hall. They started talking, and Jarecki asked him about the war on drugs. Or not?.. Like any other kid, I worried about not receiving the toys of my choice or getting scolded for my poor results at school. All Rights Reserved. The man breaks down in tears as he relates his feelings of helplessness: “I got these two little boys, pretty boys, and I don’t know how to really be they dad.” The documentary’s attempts at arousing sentiment can at times feel belabored, but Jarecki’s concern and outrage on behalf of the oppressed is still catching. An angry and personal attack on America's war on drugs contends it is a grotesquely wasteful public-works scheme All confirm Jarecki’s thesis that the War on Drugs is a vicious cycle that hurts more than it helps. Documentary clients have included Sonia, Power Trip, Afghan Women, Trembling Before G*D, Blacks & Jews. Visit www.reddiaper.com. THE HOUSE I LIVE IN A film by Eugene Jarecki The War on Drugs has never been about drugs. In this case, he aims to show how the War on Drugs is far more about race and poverty than it is about narcotics, and to challenge the typical demonizing rhetoric of politicians who vow to be “tough on crime.”. Yet the visual juxtaposition of urban ghettos with World War II concentration camps, along with dark prophecies about the inevitable “next step” (i.e., killing the poor), come across as an unnecessary and rather tasteless way of hammering home his otherwise skillfully made arguments. The House I Live In takes on the 40-year history of the "War on Drugs," exploring in depth why it has been such a costly failure. His aim in the editing room was to show how social, political and economic systems become dysfunctional and how damaging those systems are to individual lives. THE HOUSE I LIVE IN. Amid the media frenzy surrounding the Republican and Democratic conventions and upcoming elections, perhaps you find yourself in need of something more substantive than dialogue with empty chairs. For others, seeing police enforce laws that are unjust and make arrests that too often accrue to their personal benefit does not make them look very good either. The dealers meanwhile are not easy-to-dismiss villains but depressingly ordinary people who peddle to support families in places so poor and without prospect that they make the old mantra of “Just Say No” sound laughably naïve. From the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of … Snapshot: A damning documentary examination of the U.S. war on drugs and the alarming social implications. "Drug abuse is ultimately a matter of public health that has instead been treated as an opportunity for law enforcement and an expanding criminal justice system," Jarecki observes. Draconian sentencing laws have driven thousands into the prison system, which has consequently evolved into a big business--in many cases providing economic support to entire towns. Sometimes he has to "muscle out" his best footage, since he won't use anything which looks like an ambush of the subject. As the film will … The Racketeering Influenced and Corrupt Organizations, or RICO, laws enacted in the 1980s allow cops to pull over any car and search for drugs, even if they find nothing and make no arrests. One of his subjects, a town marshal in New Mexico, was initially a chance encounter; Jarecki had asked him for directions. Margarita Georgitseas ...The House I Want To Live In The house of my dream is a two-storeyed blue cottage with a bluish roof in picturesque suburb near the Pacific Ocean. Despite its flaws, The House I Live In remains a humane examination of a large-scale problem and more successful than Why We Fight at accomplishing the social-issues documentarian’s eternal mission to Make Us Care. By Check out BRITDOC’s amazing analysis of the social impact of THE HOUSE I LIVE IN. From the opening credits, which play sound bites of Obama waxing lyrical about “liberty, opportunity, and unyielding hope” over footage of convicts with their legs in chains, it’s clear that Jarecki, for better and worse, is back to doing what he does best: attacking the beliefs underpinning American complacency and self-righteousness. God bless America talks about the rockets red and glare and bombs bursting in air. October 3, 2012, Eugene Jarecki is once again a man on a mission. In a typically ambitious project, Jarecki sets out to cover a huge amount of political, historical, and even personal ground. "The trouble with a camera--particularly a camera that is ultimately making a product to sell to the public--is that it can, even with the best of intentions, become yet another instrument of abuse, something that can woefully compromise human dignity if misused," Jarecki explains. Would you like to receive event invitations, news, and updates from the International Documentary Association? "They confront the problems of over-crowding, over-penalization of non-violent drug offenders, and diminishing resources on a daily basis.". Our samples may help you answer it. • The title, THE HOUSE I LIVE IN, came from a 1943 song with lyrics by Abel Meeropol and music by Earl Robinson. We the people live in a world filled with ominous and perplexing events that make us … The film made the argument very convincing. A call to national conscience, the activist documentary “The House I Live In” is persuasively urgent. By all means, check out Eugene Jarecki's The House I Live In, which won the Grand Jury Prize at the Sundance Film Festival this year. Like other American wars, it has not been going so well. That is a major way the prison system has mushroomed into a billion-dollar industry. House I live in tries to display some of the human rights breaching on drug war in the US. This disturbing pattern is what journalist/television producer David Simon (The Wire) characterizes as a "chain of destruction." Illegal drugs are evil. on Contrast the marshal with Larry, an inmate who admits to Jarecki that prison was the best thing that happened to him, underscoring how unforgiving life is for drug users on the outside. The House We Live In is densely layered with thematic lines, while the voices from across the spectrum are clear and affecting. Jarecki believes the next two years of touring with the film will inspire more and more people to become active in pursuing reform for the issues he has so passionately put on screen. Opposition. • THE HOUSE I LIVE IN won 4 awards, including the Grand Jury Prize: Doc at Sundance Film Festival in 2012, and a Peabody Award in 2014. 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